Jenn Grant believes in, while writing a song, the power of intuition; that she can feel something in the air and has to catch it. This skin-tingling, goosebump-inducing sense shaped her newest record, Love, Inevitable. The peculiar and enthralling magical quality of the Halifax folk-pop singer’s songwriting and performance persists all around Love, Inevitable. Power pop vocals on “Raven,” graceful, smooth synths on “Arizona,” and swelling, moving chords on “Lay Me Down.”
Love, Inevitable is a marker for a period of change in Grant’s life; of moving through one moment and leaving it behind, almost carefree, for another. “It came from this strange time in my life where I was sort of taking a leap of faith in several ways,” Grant says. “Taking all of these emotional risks and writing from a place of just trying to keep moving— I guess, too, in life—without being shut down by fear.”
The three-time Juno nominated singer’s seventh record, out this spring, establishes this mood of transition; sliding the old back and making room for the new. It’s an era of definition and ambiguity. Competing energies are woven into the tracks. But, at its core, Love, Inevitable steadily gets through the fog; through undetermined moments, ones that spark concern or fear, but doing so with nothing but ease. As much as anything is inevitable, what’s more pressing is recognizing the moment as it is exists now, and enjoying that.
“I just let everything go in order to make this record.”
Grant began writing songs for the record in 2018. After making 4 consecutive albums with her husband, Daniel Ledwell garnering a cult following and critical acclaim, Grant stepped out of her usual comfort zone and reached out to Grammy nominated American producer and engineer, Tucker Martine. A synergetic and collaborative team was born, spending the bulk of the summer months recording in Portland, Oregon
Grant would be going through a massive period of personal change during the time after her last record, Paradise, specifically because of her pregnancy. It was many years of personal struggle, amidst touring and making records before she could create the family she had always wanted.
Love, Inevitable is and isn’t about motherhood. A direct conversation of motherhood is omitted and instead we’re left with an impression of this process; Grant’s energy imprinted on the tracks are tender, free, and, eventually, full. Songs like “Favourite Daughter” and “Magic and Mistakes” were particularly important to her because they sort of appeared and she caught them, harnessing a special power rooted in what was growing in her. “Some of the guitar songs I wrote in this little window of a few days where I felt this kind of energy around me. I didn’t know I was pregnant yet and those were when those songs were written. Those songs are special to me.”
What makes Love, Inevitable compelling is its ease, despite the struggle and personal heartache that went into the writing of these songs. The record’s title comes from a moment when she heard Martine’s wife, Laura Veirs, singing the Daniel Johnston song, “True Love Will Find You in the End.” She found symmetry here, remembering how her husband used to sing her that song as well. Grant let the lyrics and sentiment roll around within her when Moore brought up how good of an album title it would be. The song reminds Grant of her own trek back to both herself and to finding her own family.
As the Johnston song goes, ‘‘Not giving up until... you step out into the light, the light... true love will find you in the end.”